19 Ergebnisse.

Pigments of the Imagination' presents an essay on colour-form abstraction followed by an annotated survey of paintings made by Roy Osborne 2008-2020.

RENAISSANCE COLOUR SYMBOLISM brings together selected primary sources with original annotated English translations of 'Le Blason de toutes armes et éscutz' (1495) by the Sicily Herald (Jean Courtois), 'Le Blason des couleurs en armes, livrées et devises' (1527) by Gilles Corrozet, 'Libellus de coloribus' (1528) by Antonio Telesio, 'Del significato de' colori' (1535) by Fulvio Pellegrino Morato, and sections of 'The Accedence of Armorie' (1562/...

BOOKS ON COLOUR 1495-2020 offers quick and easy reference to 2, 500 authors and editors and some 3, 000 titles published by them. Following a concise historical survey of colour literature, authors are listed in an A-Z directory, together with titles, dates and places of publication and biographical details. Chronological indexes of authors precede the bibliographical listing and alphabetical indexes follow it. Publications are categorised und...

ROY OSBORNE is an artist, educator and writer on colour. Since 1970 he has exhibited widely and lectured at over 200 art institutions worldwide. In 2003 he was awarded the first Turner Medal of the Colour Group (Great Britain), and in 2019 he received the first Colour in Art, Design and Environment Medal of the International Colour Association (AIC).

Illustrations and descriptions of selected paintings completed 2008-2020. Roy Osborne is an artist, educator and writer on colour. Since 1970 he has contributed to 150 exhibitions and lectured at over 200 art institutions worldwide. In 2003 he was awarded the first Turner Medal of the Colour Group (Great Britain), and in 2019 he received the first Colour in Art, Design and Environment Medal of the International Colour Association (AIC). His pu...

BOOKS ON COLOUR 1495-2020 offers quick and easy reference to 2, 500 authors and editors and over 3, 000 titles published by them. Following a concise historical survey of colour literature, authors are listed in an A-Z directory, together with titles, dates and places of publication and biographical details. Chronological indexes of authors precede the bibliographical listing and alphabetical indexes follow it. Publications are categorised und...

A complete, illustrated, chronological list of artworks made by Roy Osborne between 1968 and 2020, annotated with relevant notes, dates and quotations.

THE COLOR COURSEBOOK offers a comprehensive manual for the study of color in art and design. In some 35, 000 words it reviews all the most relevant information needed by visual artists and designers, including relationships between light sources, surfaces, and vision, color measurement and mixing, and the functional, illusory, and symbolic aspects of color. In this TEACHING EDITION of COLOR INFLUENCING FORM, the theoretical text is supplemente...

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Leigh and Lomazzo on the Virtue of Colours (Renaissance Colour Symbolism III) brings together relevant extracts from four sources. The first is The Accedens of Armory, published in London in 1562 by Gerard Leigh (c. 1520-63). The second is the Trattato dell?arte della pittura, scoltura, et archittetura, published in Milan in 1584 by Giovanni Paolo Lomazzo (1538-92), parts of which were translated by Richard Haydocke (1570-1642) as A Tracte Con...

Roy Osborne: Abstract Colour Paintings' presents an annotated survey of the author's recent artworks. An accomplished colourist, colour theorist and historian, his previous publications include 'Lights and Pigments: Colour Principles for Artists', 'Color Influencing Form: A Color Coursebook', 'Books on Colour 1495-2015: History and Bibliography', and 'Renaissance Colour Symbolism'. Roy Osborne was awarded the Turner Medal of the Colour Group (...

Renaissance Colour Symbolism brings together texts and translations of the four earliest printed books on the meaning of colours: Le Blason de toutes armes et ?scutz (1495) by Jean Courtois, the Sicily Herald, Le Blason des couleurs en armes, livr?es et devises (1527) by Gilles Corrozet, Libellus de coloribus (1528) by Antonio Telesio (Thylesius), and Del significato de? colori (1535) by Fulvio Pellegrino Morato. Parts of three other early boo...

A "starter set" containing the first book in four chapter book series--Mary Pope Osborne's "Magic Tree House) Dinosaurs Before Dark, " Barbara Park's "Junie B. Jones) and the Stupid, Smelly Bus, " Ron Roy's "A to Z Mysteriesa The Absent Author, " and Sudipta Bardhan-Quallen's "Purrmaids: The Scaredy Cat." Illustrations.ons.

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A comprehensive history and A-Z bibliography of books on colour published in European languages between 1495 and 2015 on all branches the arts, sciences, education, design and technology. An invaluable reference for locating information and research into colour theory and practice.

Telesio and Morato on the Meaning of Colours' brings together the original texts with original English translations of two closely related primary sources on Renaissance colour symbolism. The first is the 'Libellus de coloribus' (Booklet on colours), the most extensive lexicon of colour terminology of its time, published in Venice in 1528 by Antonio Telesio (1482-1534), who latinised his name as Antonius Thylesius. The second is 'Del significa...

?Sicily Herald and the Blazon of Colours? brings together the original texts with original English translations of two closely related primary sources on Renaissance colour symbolism. ?Le Blason de toutes armes et ?scutz? (The blazon of all arms and escutcheons) was completed about 1420 by Jean Courtois (c. 1375-1436), the Sicily Herald, and printed in Paris in 1495. The second, ?Le Blason des couleurs en armes, livr?es, et devises? (The blazo...

?Color Influencing Form? offers a compact, comprehensive and inexpensive coursebook for the study of color in art and design. In 35, 000 words it methodically covers all basic color theory for visual artists and designers, including relationships between light sources, surfaces and vision, visual illusions, and symbolic and functional aspects of color. It further proposes how color can be examined creatively in relation to the perception of fo...